As a fan of the online literary magazine Literary Mama.com, I was thrilled to get my hands on Literary Mama, Reading for the Maternally Inclined, an anthology edited by Amy Hudock and Andrea J. Buchanan. LiteraryMama.com features some of the most compelling writing about motherhood available, and the book does not disappoint. I found myself riveted as I read, weeping, laughing and, ultimately, feeling not so alone in my journey through motherhood. It's a book that I plan to give to the special moms in my life for years to come. Editor Andrea Buchanan recently answered some of my questions.
Kris: First, I'm curious. You're the managing editor of the online magazine LiteraryMama.com. How did the site come to be?
Andrea Buchanan: The site grew out of Amy Hudock's real-time writing group in Berkeley. I met Amy shortly after "Mother Shock" came out, and when I went to the Bay Area for part of my book tour, I met with her and her "Writing About Motherhood" group. They had put together a collection of the essays, poetry, and fiction that had come about through their writing sessions and discussion groups, and they were looking for a way to share that work.
I read the collection and even talked to my publisher to see if there was interest, but they felt the scope was too local – that it would need to be about more than a single group of women whose lives were changed by writing about motherhood. So Amy and I brainstormed, and LiteraryMama was the result.
I still remember the email Amy sent to the group, suggesting a literary magazine that would feature serious writing about motherhood. Eventually, Amy theorized, we would have enough content on the site to merit an anthology. Within a month or two, by November 2003, we had a site, and, thanks to the interest of the original Writing About Motherhood group, we had a roster of editors. Within a year, we'd been named one of Forbes.com's "Best of the Web" picks. In January of 2005, I pitched Seal the idea of a Literary Mama anthology, and a year later, our first anthology was out.
Kris: What distinguishes LiteraryMama.com online?
Andrea: For one thing, it was the first literary magazine devoted solely to writing by women who are mothers.
Kris: The site provides amazing content at no charge to readers. Does it receive any financial support?
Andrea: No. We hope to rectify that, so that we can compensate the writers we publish and the editors who volunteer their time for the site.
Kris: How did you decide who you would ask for contributions?
Andrea: For the anthology, Amy and I asked the editors of each department to pick their favorite pieces and submit them to us in a "best of" list. We then went through those lists and weighed in with our own favorites. Then we worked with our editor at Seal to winnow it down to a tight collection of the writing that was the most representative of LiteraryMama.
Kris: This anthology covers many facets of motherhood. What topics do you wish you could have included?
Andrea: You know, I'm pretty happy with the range of perspective we were able to put together from the quality work published on the site. I think it might have been interesting to include essays on being a birthmother, or secondary infertility, or more issues of adoption; hopefully we'll receive more submissions on these kinds of topics.
Kris: Do you have a favorite in the collection? Why is it special to you?
Andrea: I like all of the work in the book, but if I had to pick just one, I'd say Nebraska, by Holly Day. Or Eyes in the Back of Her Head, by Gayle Brandeis. (Can I pick two?) Both of these are spare, precise, compact and elegant, and they speak to the unknowability of the mother, to that space where we are both daughters and mothers, all at once.
Kris: If you were to put a sequel together, what would you want to accomplish with it?
Andrea: To continue making a space for writing about motherhood as a serious literary pursuit; to feature even more emerging and established writers on an intense subject; and to explore areas not covered fully in the first collection.
Kris: What a year for you! This is the second of three anthologies you've edited, (It's a Boy: Women Writers on Raising Sons, 2005; It's a Girl: Women Writers on Raising Daughters, 2006), plus you're writing appears in three other collections (Your Children Will Raise You [Trumpeter, 2005], The Imperfect Mom [Broadway, 2006] and About What Was Lost: 20 Writers on Miscarriage [Plume, 2006]). Has the publication of Literary Mama had special meaning for you?
Andrea: Absolutely. It's been wonderful witnessing LiteraryMama morph from a germ of an idea to the reality of a website to the smooth-finished cover of a paperback book. LiteraryMama is good work, and I'm honored to be a part of it.
Kris: What three pieces of advice would you give a first-time mother-to-be?
Andrea:
• This too shall pass.
• You are not alone.
• Breathe.
Kris: The media often tell women to shoot for balance in their lives. As a mom with young children at home, do you think maintaining a balanced life is achievable or even necessary? Or do you find ways to thrive within the imbalance?
Andrea: Balance as outlined in the mainstream media isn't exactly balance – perfect whites, headlight-bright smiles, sporty clothes, a great figure, square meals, pilates and pedicures, and adorable, overachieving kids. It's a kind of crazy-making perfection that very few real-life women can achieve (and not without a staff to help her). My work is to try to make peace with imbalance, embrace the reality of my life the way it is, and respond to what's really there rather than berating myself for it not being somehow different.
Kris: What advice can you offer to moms struggling to find the time and energy to pursue their creative passions?
Andrea: It's really hard. You have to respect how difficult it is, and take it seriously. And then, as they say, just do it.
Kris is a thirtysomething stay-at-home mom who lives north of Boston with her family.